Boss Ps-5 Owners Manual

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Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. These sec- tions provide important information concerning the proper operation of the unit. Select from five modes to use - PITCH SHIFTER, HARMONIST, DETUNE, T.ARM, and FLUTTER (new effect). The indicator lights when an effect is on. If this indicator goes dim or no longer lights while an effect is on, the battery is near exhaustion and should be replaced immediately. Depressing the pedal changes the amount of pitch shift.The delay time is increased as the knob is rotated to the right. 9. BALANCE knob This adjusts the output balance between the direct sound and the effect sound.For more details, refer to “Description of Each Mode”. OverDrive Distortion Compressor. Harmonies may become shifted at excessive volume levels. The keys that can be set on the PS-5 are majors and minors of all the scales. For example, if you select “C(Am)”, the resulting harmony will be as shown below:. The Label (which serves as a quick reference) can be attached as shown in the illustration. Check the connection once more (page 11). Is the volume turned down on any. As the battery is drained, the CHECK indi- cator dims, and the PS-5 may start to func- tion incorrectly. Replace with a new battery (page 28). Is the instrument tuned correctly. Make sure to tune your instrument properly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. http://govindlab.com/userfiles/boss-tu12h-manual.xml

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Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock. In the interest of safety, please read and observe the following precautions (p. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. Couple of scratches on unit and the box doesn't have the manual. The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer s Shop for the Boss PS-5 SUPER Shifter Pedal in and receive free shipping and guaranteed lowest price. Demo for:Boss ps-5 super shifter. Sign up for YouTube Red by July 4th for uninterrupted music and videos all summer. The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides Download Boss PS-5 Super Shifter (guitar effects) manuals. Filetype: PDF, Download: 1,902 times. All user reviews for the Boss PS-5 SUPER Shifter. The Owner's Manual is provided by Boss, a provider of Musical Instruments Formal instruction, Beginner guide chicken recipes cook, Classic mini buying guide, Columbia mo gangs abc 17 report, Form of dancing. Reload to refresh your session. Reload to refresh your session. Create one here. Owner's Manual. DC. AC Le agradecemos y le felicitamos por haber elegido el Super Shifter BOSS PS-5. q El pitch shifter compacto Boss PS-5 esta equi-. View and Download Boss PS-5 owner's manual online. Roland PS-5 Super Shifter: Owners Manual. PS-5 Music Pedal pdf manual download. Also for: Ps-5 Here is a used (light average wear) BOSS PS-5 Super Shifter pedal:.This single box provides pitch shifting 9. Aug. http://neapol-m.ru/usr/boss-tuner-tu-12h-manual.xml

2010 (brauche ja erst mal nix neues zum cruisen) In der Bucht habe ich den Boss PS5 geschossen und bin aus zeitlichen Grunden noch nicht in die,,,, Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. Video Gallery Product Specs Brand Boss Model PS-5 Super Shifter (Dark Gray Label) Finish Blue Year 1999 - 2019 Made In Taiwan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red. All photos are of the item for sale. Please note they are for sale in our store and may sell out. Thank you for looking. Feel free to ask any questions. Video Gallery Product Specs Brand Boss Model PS-5 Super Shifter (Dark Gray Label) Finish Blue Year 1999 - 2019 Made In Taiwan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red.Currency. Please try again.Please try again.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. Mike IronFist 5.0 out of 5 stars The harmony feature is absolutely stellar and it tracks surprisingly well. I actually have my distortion coming BEFORE this pedal in my chain so I get cleaner, richer harmonies - and despite the fact that it's not getting a perfect clean signal it still tracks pretty well. Tremolo arm feature is very fun to play with but lacks very little practical application. Using it to shift up an octave can produce some Tom Morello-esque sounds. http://www.drupalitalia.org/node/72166

The pitch-shifting can sound oddly tinny sometimes and overall the PS-6 (BOSS Harmonist) is known to be better at tracking and overall quality.First thing's first.The only thing worth noting on that topic is that this pedal does eat batteries, even from just moderate use and leaving it unplugged when you arent playing. There are 3 solutions: 1. Buy a power supply 2. Remove the battery entirely when you arent playing 3. Deal with it and keep buying batteries (right now, i've chosen this route) Aside from that, all i have to talk about is pure functionality and quality. I treat it like a poor man's whammy pedal. It's cabable of pitching a note up or down 2 octaves and you can adjust its speed. On the other end, its fun to set this function to pitch up 1 or two octaves very fast and just mix it in with some soloing. I've even tried this with some basic rhythm stuff which gives it a little more attitude. The Pitch Shifter mode is also very fun.Add a little wah to it and it gets even more interesting. The other three modes, i regret to say, i haven't toyed with very much. I'm the type of guitarist who likes effects that push the guitar sound to extremes. But the manual of course lists a few presets for these modes which i have tried and they sounded great; just as they were described.Another thing worth mentioning is that some of the functions for this pedal are very clearly suggested to only be used with single notes and not chords. So naturally i had to see what would happen if i played some chords on those settings.In the case of the T.Arm mode, if you play a chord and then pitch it up it starts to jump around a lot which i found to actually be kinda cool. Once i get that to happen i like to start bending the chord and it gets even more crazy.It's LOADS of fun!For all genres, especially Rock,Hard Rock, and Metal, as well as jazz and blues with all the detuning and pitch-shifting at the turn of 2 or 3 knobs. http://www.chourouk-voyages.com/images/boss-pro-se-70-manual.pdf

Awesome PedalIt lets me create interesting sounds no other pedal can do. While the manual has plenty of suggestions, the best sounds come from using the Super Shifter in ways it wasn't designed for. The Harmonizer was designed for single notes, so playing double-stops on it creates strange modulations. Coupled with distortion, you can make an insane soundscape. For the creative guitarist, this pedal is indispensable. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Sign Up Now! Boss PS-5 Super Shifter.Gold Supporters see zero ads. Upgrade Now Thanks for your support! By continuing to use this site, you are consenting to our use of cookies. If you can't find an answer to your specific question, please be sure to check the individual product pages or submit a support request. Does the GigRig come with wheels. How do I register my case or rack for the lifetime warranty. How do I request replacement parts. How long will a repair take. Is it possible to update my older case with the new TSA latches. On the PS-45, how do you connect pedals for the front of my preamp AND the effects loop. On the PS-55, I tried to run my amp's footswitch through the board, but it doesn't function properly in that configuration. On the PS-55, the cable tester and headphone amp work, but my pedals don't power on. On the PS-55, what are the DC output current ratings. On the PS-55, what is the purpose of the Guitar Buffer Preamp. What cables are included with the PS-55. What do I have to do before I return my case for repair. What is a rack space. What is the weight for the GigWings and how much will they hold. What size cases do I need for my drums? What type of power supply comes with the PS-15 pedalboard. Where will I find my model number on my case. Will my (insert pedal name here) work with the PS-55. Do you make custom cases? Yes. Minimum quantities are required. http://discarga.com/wp-content/plugins/formcraft/file-upload/server/content/files/1627357daee4c4---brigham-ehrhardt-financial-management-13e-solutions-manual.pdf

Only our SKB19-R1010 and SKB19-R1406 models come with the wheels standard. Most effects pedals are marked somewhere on the pedal (either near the power connector or on the bottom of the pedal). It might also be mentioned in the owner's manual. Otherwise, you should check the website of the manufacturer or contact the manafacturer of the pedal you are wondering about. You may register yourself as the original owner of the case or rack at SKB Music Division Product Registration. Original owners of SKB brand hardshell cases may order replacement parts online at no cost and with free shipping. To request field replaceable parts please visit the SKB Store for instructions. You will receive a discount code for use at the SKB Store equal to the online price of the replacement parts you need. A repair usually takes about two weeks from the time we receive your case. Older model cases can not be retrofitted. Here’s how you do it. Bottom row config. Top row config. Some people have rack gear that has a separate preamp and power amp. With a standard amp head or combo amp, you plug into the amp’s input and you are introducing the signal to the preamp. When you plug into the return of the effects loop, you are introducing the signal to the power amp section of your amp. ALL of the DC outputs on the PS-55 are 100mA. There are two 9VAC outputs that are rated at 1.3A (1300mA), however, every DC output is rated at 100mA (9VDC, 12VDC, 18VDC, 24VDC and the two variable DC outputs). All outputs have their own winding on the transformer and are isolated. Some guitarists like to use long cables between their guitar and the pedalboard so they can move around more on the stage. The problem with long cables is the drop in gain. The Guitar Buffer Preamp allows you to get that gain back and have it BEFORE your guitar signal gets to the pedals. Another way to use it is when you have two guitars that you like to use and one guitar has a hotter output than the other one. amicodipiu.com/ckfinder/userfiles/files/canon-fs200-manual.pdf

Usually, when you switch guitars, you have to make a bunch of setting adjustments on your pedals to compensate for the weaker guitar (and adjust the pedals again when you switch back to the hotter guitar). Instead, plug the hotter guitar into the Guitar Buffer preamp bypass and adjust all of your pedals the way you like them. Now, when you switch to the weaker guitar, unplug from the Bypass and plug into the Guitar Buffer Preamp and bring the gain up to match the hotter guitar. This way, you don’t have to keep adjusting all of your pedals every time you want to switch guitars. A power cable for connecting the PS-55 to a wall outlet and an assortment of output power cables. No audio cables are supplied (mainly because most guitarists like to use their favorite brand of cable. Please have the model number of the case on hand. Each GigWing weighs 5.5 pounds and will hold up to 50 pounds. If you have an 8x8 drum, get our 8x8 case. However, if your drums have RIMS (Resonance Isolation Mounting System) or some other type suspension system, you will have to make allowances for it, which is why we provide the dimensions for all of our drum cases. It is not on your case. You will find the number on your original proof of purchase receipt. This is not the law, but a rule-of-thumb. While it might not be the most convenient way to go, it will certainly work. Unfortunately, there is really no way to know about every pedal that exists on the planet, so sometimes it difficult to say for sure which pedals will work and which will not. We tried to provide a wide variety of output voltages so that a large majority of the pedals that are out there will work with the PS-55. Also, you will not have to worry about your website going to sleep ever again!Your dream website is waiting for you!No hassle, no risk. Provides an overview of key features, functions and operational tips. Stay up to date with Roland news, artists, promotions, events, and more. {-Variable.fc_1_url-

Register your product and stay up-to-date with the latest warranty information. Among them are everyday guitar staples like overdrive, distortion, and reverb, as well as unique effects like Slow Gear and Slicer, just to name a few. And, of course, BOSS pioneered the famous chorus pedal in 1976, a now-standard effect that’s regularly used by players in every style of music. To date, 20 different models have provided delay and echo effects in one form or another. Sit back and settle in as we run down the entire history of BOSS delay pedals through the decades, from 1978 to present. BOSS and Roland (its parent company) have been innovating with delay effects since their earliest days. On the Roland side, the RE-201 Space Echo—first introduced in 1974—is widely regarded as the premier tape-based delay unit ever made. Starting in 1983, rack units like the SDE-3000 Digital Delay were at the forefront in music tech, and they became vital components in guitar effects systems used by the biggest names in music. To achieve these goals, BOSS has continually pushed the envelope with both analog and digital technologies, setting many trends that continue to influence the industry to this day. There’s a lot to cover, so let’s get started with the rundown! The DM-1 Delay Machine—the very first delay unit from BOSS—provided a more affordable and compact alternative. While limited in frequency response and versatility in comparison to a Space Echo, the analog DM-1 had a very nice sound and provided delay times up to 500 milliseconds. Unlike the subsequent BBD-based models in the DM series, the DM-1’s circuit used a charge-coupled device (CCD), an electronic component that went on to be widely used in digital cameras. Since the DM-1 was produced for less than two years, it’s a rare bird on the used market, and commands some very high prices if you can find one. For the DM-2, BOSS employed a bucket-brigade device (BBD), as opposed to the CDD used in the DM-1. http://oneself.pro/wp-content/plugins/formcraft/file-upload/server/content/files/16273580324a36---brigham-fundamentals-of-financial-management-solution-manual.pdf

One of the ways they did this was to limit the frequency response of the effect sound. This compromise contributed to the DM-2’s characteristic warm, enveloping tone, which blends so well with a guitar or any other input signal. The world’s first digital delay in stompbox form (and also the first digital pedal of any type from BOSS), the DD-2 put the much higher audio fidelity and increased delay range of studio rack processors within easy reach of every musician. Thanks to its rich, guitar-friendly sound, it also found a home in large-scale rack rigs used by serious pro players. However, the SDE-3000’s cost and form factor was beyond the means of many working musicians and casual players at the time. With that, the next formidable steps were to fit the rest of the electronics in as well, and to power it all with a 9-volt battery! With its max delay time of 800 milliseconds and clear-yet-warm tone, the pedal was an instant smash and a must-have item. The DD-2 set the standard for the flurry of digital delay stomps that would come after from BOSS and other manufacturers, and every one of them owes its heritage to this revolutionary pedal. Its replacement, the next-generation (but still analog) DM-3, was slightly more affordable. Evolving from the DM-2, it included some design tweaks that cleaned up the delay repeats for a clearer sound with less noise, an ever-present engineering challenge when trying to get the best performance out of analog BBD circuits. The DM-3 also featured a Direct Out jack for sending dry and effect signals to two separate amps, as well as some unique knobs not seen on any other BOSS pedals before or since. It’s perhaps a touch less gritty and more refined in the delay repeats, but that can be a good thing in many applications. It was the last all-analog delay pedal in the BOSS lineup for 26 years, until the introduction of the Waza Craft DM-2W in 2014. alrashed-alsaleh.com/userfiles/files/canon-fs200-manual-online.pdf

While samplers had started to hit the scene a bit earlier, they were typically high-cost devices used mainly in studios. True to the BOSS philosophy, they brought this evolving technology within reach of all musicians with the DSD-2. There’s also a Trigger input for triggering the sample from a drum pad or other external source. While the sampling capabilities were rather limited by today’s standards, the DSD-2—and later DSD-3—can be viewed as early descendants of BOSS’ immensely popular Loop Station products that would come many years later. This allowed manufacturers to bring less expensive products to the marketplace, and the DD-2 was a direct beneficiary of this trend. However, instead of dropping the price on the DD-2, BOSS decided to replace it with the new, lower-cost DD-3 instead. This longevity serves as an enduring testament to the skill and expertise of the BOSS engineering and development teams in getting it just right the first time out. Other than the model names on the cases, the DSD-2 and DSD-3 are essentially the same pedals. Why am I including it here. Because delay functionality is offered as one of its many sound modes. When used in stereo, the RV-2’s Delay mode functions as a panning or “ping-pong” delay, where the repeats alternate between the left and right outputs. However, most musicians think of delay and reverb as individual effects types—and use them in somewhat different ways—so we’re treating them as separate effects categories in this rundown.) Originally designed for the RRV-10 Digital Reverb in the MICRO RACK series, this first-generation chip offered an unprecedented amount of processing power in a compact pedal. It also pulled a lot of current, so the RV-2 could only run on the supplied AC power adapter (no batteries). It can be set up to one octave up or down, or to any interval in-between with Manual mode. A Tuner out jack allows you to connect to an external tuner (like the era’s BOSS TU-12) and accurately fine-tune the pitch interval as you twist the Manual knob and play. Yes, that’s a little inconvenient by today’s push-button standards, but it was bleeding-edge at the time. In one of its Delay modes, the PS-2 offered up to two full seconds of delay time, another BOSS pedal first. It also cost less, and could run on a 9-volt battery. Along with improved reverberation, the delay capabilities were greatly expanded in the RV-3 as well (so much so that “Delay” was added to the product name). Straight delay with up to two seconds is available, as well as modes that combine the delay effect with the pedal’s four different reverb types. As you can imagine, all these cool capabilities resulted in one wildly popular pedal! While the delay functionality is the same as the PS-2, the pitch-shifting abilities were really expanded. Pitch can be shifted up or down over two full octaves, and a Detune mode allows you to create chorus-like tones. In addition, each of these functions can be used in dual modes, where you can create two independent pitch shifts at once. Each can also be sent to separate outputs when the pedal is used in stereo. That’s more than double the maximum 800 milliseconds provided by the DD-3, the only dedicated digital delay pedal in the lineup at the time of our current stop. BOSS addressed this performance gap with the DD-5, and added a lot of high-end features along with it. Tempo-sync delays are also available, with the ability to tap in the time via an external footswitch.First off, the max delay was increased to 5.2 seconds (when using Long Delay mode), and the tap tempo functionality could now be accomplished with the onboard pedal switch. The Hold function was also enhanced, with 5.2 seconds of recording time and sound-on-sound overdubbing.This approach was widely embraced by creative musicians everywhere, and the series soon began to expand. Eleven sound modes provide a variety of delay flavors, including the standard DD-3 style delay, warm BBD analog and tape emulations (including dual-head Space Echo effects), reverse, SOS (sound-on-sound), and more. Warp mode from the DD-6 is also included, as well as new Smooth and Twist modes for additional unique sounds. The two onboard pedal switches make tap tempo, memory select, and other delay operations easier, and an external switch can be plugged in for additional control. Though there were a number of different models through the years, the RE-201 Space Echo was both the enduring benchmark and most popular. With three separate playback heads, built-in spring reverb, and distinctive 12-position Mode Selector, the RE-201 was easy to use and capable of a wide range of creative, organic echo effects. As such, it found a home in many different music applications, from recording sessions to arena performances. The Space Echo was also an important component in the reggae-driven dub sounds created by early electronic music artists. All of the original’s controls are completely replicated in the RE-20, and adjusting them in real time produces identical behaviors as well. For example, tweaking the Repeat Rate not only adjusts the delay time, but also mimics the unique pitch-shifting behavior that occurs in the RE-201 as its physical motors gradually slow down or speed up the tape loop. Stereo operation is supported, and the delay time can be tapped in with the right pedal or an external footswitch. A Twist function is also available, which adjusts multiple parameters with a press of a pedal; this makes it easy for guitarists to replicate the dub-style runaway echo effects originally popularized by twisting the RE-201’s panel knobs. (Of course, similar effects are also possible by manually turning the RE-20’s knobs.) And, thanks to the RE-20’s digital design, there’s no need for periodic tape replacement and other maintenance hassles! Additionally, Hold mode now provides up to 40 seconds of sound-on-sound recording, allowing the DD-7 to function quite capably for looping tasks. The pedal also includes Analog and Modulate modes borrowed from the DD-20. All in all, the DD-7 delivers an amazing amount of delay versatility in one small pedal. Embodying the company’s spirit of innovation through the years, the TE-2 delivers a truly unique ambience effect never heard before in any other single pedal, from BOSS or anyone else. The resulting tone has elements of delay, reverb, filtering, and pitch modulation, and you can twist the pedal’s knobs to dial up all sorts of sounds, from subtle reverberation to long, swirling ambient washes. Pressing and holding the pedal switch engages the cool Freeze function, which holds the effect sound to provide an ambient bed for playing over the top. While both pedals are sought after, it’s the DM-2 that’s the most highly regarded, thanks to its warm, grungy delay tone that oozes retro musicality. In Standard mode, the DM-2W is a complete replica of the DM-2, delivering the same rich, all-analog tone that made the original such a classic. But BOSS wanted to go beyond a simple reissue, so they added a Custom mode that more than doubles the available delay time to 800 milliseconds, while slightly cleaning up the grittiness for more definition and clarity. The pedal also has the ability to send dry and effect sounds to two different amps, a feature grabbed from the DM-3. Finally, there’s a jack for controlling the delay time with an expression pedal, a handy modern feature not available in either the DM-2 or DM-3. It updates the mighty RV-5, which has reigned as the industry standard for over 12 years. While its predecessor sounds exceptional, the RV-6 kicks things up to new heights, delivering rich, expansive tones equal to or exceeding boutique pedals and studio rack units costing much more. However, the next-generation RV-5 focused on reverb only. As you tweak the Time and Tone knobs, the reverb and delay characteristics are adjusted in multiple ways under the hood, providing ideal combo tones at every setting. And with its incredible price-to-performance ratio, it’s by far the best value as well. If you’ve been looking for the delay pedal of your dreams, BOSS has really delivered with the DD-500! It can recreate the sounds of every delay pedal throughout the history of the BOSS lineup, plus famous units like the Roland SDE-3000 and Space Echo. In addition, it has a ton of fresh, modern effects that combine delays with filtering, modulation, pitch shifting, and more. And that’s just the start. You can read all about the features the amazing DD-500 has on tap here. Throughout this historic review, a common thread is certainly clear: BOSS is always innovating, striving to create top-quality products that support the needs of musicians of all levels, from amateur players to high-end pros ripping it up nightly for audiences in the thousands. They’ve certainly achieved that goal, as BOSS pedals continue to be embraced by players everywhere, inspiring them to take their music to new levels of creativity, originality, and expression. Among them are everyday guitar staples like overdrive, distortion, and reverb, as well as unique effects like Slow Gear and Slicer, just to name a few. They’ve certainly achieved that goal, as BOSS pedals continue to be embraced by players everywhere, inspiring them to take their music to new levels of creativity, originality, and expression. (Of course, similar effects are also possible by manually turning the RE-20’s knobs.) And, thanks to the RE-20’s digital design, there’s no need for periodic tape replacement and other maintenance hassles! Additionally, Hold mode now provides up to 40 seconds of sound-on-sound recording, allowing the DD-7 to function quite capably for looping tasks. The pedal also includes Analog and Modulate modes borrowed from the DD-20. All in all, the DD-7 delivers an amazing amount of delay versatility in one small pedal. Embodying the company’s spirit of innovation through the years, the TE-2 delivers a truly unique ambience effect never heard before in any other single pedal, from BOSS or anyone else. The resulting tone has elements of delay, reverb, filtering, and pitch modulation, and you can twist the pedal’s knobs to dial up all sorts of sounds, from subtle reverberation to long, swirling ambient washes. Pressing and holding the pedal switch engages the cool Freeze function, which holds the effect sound to provide an ambient bed for playing over the top. While both pedals are sought after, it’s the DM-2 that’s the most highly regarded, thanks to its warm, grungy delay tone that oozes retro musicality. In Standard mode, the DM-2W is a complete replica of the DM-2, delivering the same rich, all-analog tone that made the original such a classic. But BOSS wanted to go beyond a simple reissue, so they added a Custom mode that more than doubles the available delay time to 800 milliseconds, while slightly cleaning up the grittiness for more definition and clarity. The pedal also has the ability to send dry and effect sounds to two different amps, a feature grabbed from the DM-3. Finally, there’s a jack for controlling the delay time with an expression pedal, a handy modern feature not available in either the DM-2 or DM-3. It updates the mighty RV-5, which has reigned as the industry standard for over 12 years.